Stephen King's Under the Dome is another brick -- more like a wheelbarrow full -- in the construction of the argument that genre writers are doing far more than their high-lit colleagues to realize the novel's potential for examining the institutions and politics of contemporary society. In King's 1,074-page Under the Dome, a transparent dome suddenly descends on a Maine town, trapping the people inside and allowing the local thugs, elected and otherwise, to rule according to nothing more than their lust for power. The military and the media are stationed around the dome's perimeter. And Washington even has someone -- inadvertently -- on the inside: Barbie, the former military man turned drifter, reappointed in the face of the emergency and designated by President Obama as his man in charge.
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